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暴风快看资源剧情简介Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
荣耀六十年影评米栎影视网友：Herbert Wilcox导演在《荣耀六十年》这部影片中的运镜、剪辑、还有演员Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla 的演技、影片的配乐都是满分的存在，非常喜欢《荣耀六十年》这部片子，开头拍摄珍的画面充满了爱意，果然是爱人所拍。有些人很幸运，因为他们很早就发现了自己想做的事、并用尽一切办法和力量去追寻。
百度云网友:《荣耀六十年》真是一播出就注定是经典，我一直觉得影片就应该要表达出一些超越记录对象本身的东西。《荣耀六十年》这部片子做到了。在我心里它就是年度最美最治愈影片。
樱花动漫网友: 感慨于导演Herbert Wilcox的才华，直到看完《荣耀六十年》全片，才知道海报为何这样设计，横向纵向对比的确都是近年来的佳作，真正的电影，质感很好，这是那种挑不出太大毛病的Herbert Wilcox式电影，很完满，很规整。
豆瓣电影场网友: 看完影片《荣耀六十年》有感，在这个强调解构、偏好轻盈的年代，Herbert Wilcox导演一以贯之自己的史诗叙事，保持庞大命题，追求日常之上呈现，塑造人物写实般的角色，给予本来理性、冷静、严肃的物理一种激情和诗意，调动所有观众一同沉浸在《荣耀六十年》的情绪之中。
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